{"id":274,"date":"2025-07-13T19:35:58","date_gmt":"2025-07-13T19:35:58","guid":{"rendered":"https:\/\/aidarezaei.net\/?page_id=274"},"modified":"2026-04-29T21:59:12","modified_gmt":"2026-04-29T21:59:12","slug":"resume","status":"publish","type":"page","link":"https:\/\/aidarezaei.net\/fr\/resume\/","title":{"rendered":"Resume"},"content":{"rendered":"<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Education &amp; Training<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2021<\/strong> <strong>\u2013 2022<\/strong> Ancient Greek &amp; Shakespeare Acting Workshop \u2014 Mohamad Aghebati, Tehran<\/li>\n\n\n\n<li><strong>2021<\/strong> \u2013 <em>Shakespeare\u2019s Outsiders<\/em> Series (Hamlet, Othello, Merchant of Venice), <em>Shakespeare\u2019s Life &amp; Work<\/em> \u2014 Harvard\/EdX<\/li>\n\n\n\n<li><strong>2019<\/strong> \u2013 Dubbing (Voice Acting) Workshop \u2014 Manouchehr Valizadeh, University of Tehran<\/li>\n\n\n\n<li><strong>2017\u20132018<\/strong> \u2013 Breathing &amp; Voice Anatomy \u2014 Maziar Seyedi, Tehran<\/li>\n\n\n\n<li><strong>2016<\/strong> \u2013 Body Recognition &amp; Contemporary Dance \u2014 Amir Amiri, Tehran<\/li>\n\n\n\n<li><strong>2012\u20132015<\/strong> \u2013 Acting Workshop \u2014 Mehdi Koushki, Tehran<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Acting &amp; Performance<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2026<\/strong> \u2014 The One Thousand and First Night (play reading), dir. Mazyar Shahcheraghi \u2014 Montr\u00e9al, Canada<\/li>\n\n\n\n<li><strong>2026<\/strong> \u2013 Empty Heaven (feature film). dir. Abdolreza Kahani \u2014 Canada<\/li>\n\n\n\n<li><strong>2025<\/strong> \u2013 Waitress (feature film), dir. Mazyar Shahcheraghi \u2014 Montr\u00e9al, Canada<\/li>\n\n\n\n<li><strong>2024\u20132025<\/strong> \u2013 <em>Closetophia<\/em> (play), dir. Mazyar Shahcheraghi \u2014 Montr\u00e9al, Ottawa, Toronto, Vancouver, Canada<\/li>\n\n\n\n<li><strong>2023<\/strong> \u2013 <em>How Not to Be Together<\/em> (short film), dir. Elham Yousefi \u2014 Montr\u00e9al, Canada<\/li>\n\n\n\n<li><strong>2022<\/strong> \u2013 <em>Chekhofteh<\/em> (play), dir. Ashkan Pir Del Zendeh \u2014 Tehran<\/li>\n\n\n\n<li><strong>2021\u20132022<\/strong> \u2013 <em>Penguins, <em>Seagulls<\/em> and Other Birds<\/em> (play), dir. Meysam Abdi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2021\u20132022<\/strong> \u2013 <em>The Banquet of Imitation of Patriotic Women<\/em> (play), dir. Nasim Moghaddam \u2014 Tehran<\/li>\n\n\n\n<li><strong>2021<\/strong> \u2013 <em>On Her Behalf<\/em> (short film), dir. Iraj Habashi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2019\u20132020<\/strong> \u2013 <em>Dogg\u2019s Hamlet, Cahoot\u2019s Macbeth<\/em> (play), dir. Elham Yousefi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2019<\/strong> \u2013 <em>Another Life<\/em> (short film), dir. Mahtab Rezaei \u2014 Tehran<\/li>\n\n\n\n<li><strong>2019<\/strong> \u2013 <em>Italy<\/em> (short film), dir. Parisa Jabbari \u2014 Tehran<\/li>\n\n\n\n<li><strong>2018\u20132019<\/strong> \u2013 <em>Lunatic<\/em> (play), dir. Ali Khosrojerdi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2018<\/strong> \u2013 <em>The Tree<\/em> (play), dir. Rouhollah Sami \u2014 Tehran<\/li>\n\n\n\n<li><strong>2017\u20132018<\/strong> \u2013 <em>Yerma<\/em> (play), dir. Bahareh Moshiri \u2014 Tehran<\/li>\n\n\n\n<li><strong>2017<\/strong> \u2013 <em>A Requiem for Fereidoun<\/em> (musical play), dir. Peyman Ghadimi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2016<\/strong> \u2013 <em>The Labyrinth<\/em> (play), dir. Arghavan Rasti \u2014 Tehran<\/li>\n\n\n\n<li><strong>2015<\/strong> \u2013 <em>Volpon<\/em> (play), dir. Mehdi Koushki \u2014 Tehran<\/li>\n\n\n\n<li><strong>2015<\/strong> \u2013 <em>Kambiz<\/em> (play), dir. Aida Rezaei \u2014 6th Monologue Festival, Tehran<\/li>\n\n\n\n<li><strong>2014<\/strong> \u2013 <em>Look Again<\/em> (short film), dir. Nina Zarabi \u2014 Iran<\/li>\n\n\n\n<li><strong>2014<\/strong> \u2013 <em>A Pigeon Suddenly<\/em> (play reading), dir. Shadi Dehghan \u2014 Tehran<\/li>\n\n\n\n<li><strong>2013\u20132014<\/strong> \u2013 <em>Richard the Second<\/em> (play), dir. Mehdi Koushki \u2014 Tehran, Fajr Intl. Theater Festival<\/li>\n\n\n\n<li><strong>2013<\/strong> \u2013 <em>In the Story of Lady Bloor Al-Saltanah and Tas Al-Dawlah<\/em> (play), dir. Mohammad Abdi \u2014 Tehran<\/li>\n\n\n\n<li><strong>2013<\/strong> \u2013 <em>Aura<\/em> (short film), dir. Mehdi Koushki \u2014 Iran<\/li>\n\n\n\n<li><strong>2013<\/strong> \u2013 <em>A Stranger in the Dust<\/em> (feature film), dir. Zahra Kazemi \u2014 Iran<\/li>\n\n\n\n<li><strong>2013<\/strong> \u2013 <em>The Dechlorinated<\/em> (play), dir. Mehdi Koushki \u2014 Tehran<\/li>\n\n\n\n<li><strong>2012<\/strong> \u2013 <em>The Unilateral<\/em> (play reading), dir. Mohamad Tajik \u2014 Tehran<\/li>\n\n\n\n<li><strong>2012<\/strong> \u2013 <em>The Winter\u2019s Tale<\/em> (play), dir. Mehdi Koushki \u2014 Tehran<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Voice Acting &amp; Audio<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2022<\/strong> \u2013 <em>Art Tune<\/em> Radio Podcast<\/li>\n\n\n\n<li><strong>2017\u20132019<\/strong> \u2013 Voice Actor \u2014 Rino Media Agency<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Direction &amp; Production<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2022<\/strong> \u2013 Director\u2019s Advisor: <em>Battlefield<\/em> &amp; <em>Spirit\u2019s Pain<\/em> (film), dir. Meysam Mohamadkhani<\/li>\n\n\n\n<li><strong>2015<\/strong> \u2013 <em>Kambiz<\/em> (play), Director \u2014 6th Monologue Festival, Tehran<\/li>\n\n\n\n<li><strong>2012\u20132013<\/strong> \u2013 Assistant Director: <em>Tehran\u2013Belgrade<\/em> (play), dir. Faryar Hoseini \u2014 Tehran<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Awards &amp; Recognition<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2025<\/strong> &#8211; <em>Closetophia<\/em> (play), Grant winner, The Canada Council for the Arts<\/li>\n\n\n\n<li><strong>2021\u20132024<\/strong> \u2013 <em>On Her Behalf<\/em> (short film)\n<ul class=\"wp-block-list\">\n<li>GIFF \u2014 Best Short Drama<\/li>\n\n\n\n<li>MICFF \u2014 Best Film on Women<\/li>\n\n\n\n<li>Aasha Intl. \u2014 Best Short<\/li>\n\n\n\n<li>PIFA \u2014 Best Female Story<\/li>\n\n\n\n<li>Stockholm Short \u2014 Best Women\u2019s Issue<\/li>\n\n\n\n<li>Canada Shorts \u2014 Award of Merit<\/li>\n\n\n\n<li>GLIFF \u2014 Best Film on Women<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>2015<\/strong> \u2013 <em>Kambiz<\/em> \u2014 Honored Play, Group Appreciation, 6th Art University Festival<\/li>\n\n\n\n<li><strong>2014<\/strong> \u2013 <em>Richard the Second<\/em> \u2014 Official Selection, Best Play, Theater House Celebration<\/li>\n\n\n\n<li><strong>2013<\/strong> \u2013 <em>Lady Bloor&#8230;<\/em> \u2014 Selected, Ritual and Traditional Festival<\/li>\n\n\n\n<li><strong>2012<\/strong> \u2013 <em>Tehran-Belgrade<\/em> \u2014 Best Play, Best Director, Stage Design, Costume Design Nominee<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Language<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Persian<\/strong> \u2014 Native<\/li>\n\n\n\n<li><strong>English<\/strong> \u2014 Proficient<\/li>\n\n\n\n<li><strong>French<\/strong> \u2014 Advanced<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Publication<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2023<\/strong> \u2013 Editor &amp; Translator, <em>The Routledge Companion to Theatre and Politics<\/em> (Andy Lavender)<\/li>\n\n\n\n<li><strong>2021<\/strong> \u2013 Translator, <em>Why Theatre?<\/em> by Nicoleta Esinencu \u2014 The Golden Books<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Education &amp; Training Acting &amp; Performance Voice Acting &amp; Audio Direction &amp; Production Awards &amp; Recognition Language Publication<\/p>","protected":false},"author":1,"featured_media":548,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-274","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/pages\/274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":18,"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/pages\/274\/revisions"}],"predecessor-version":[{"id":586,"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/pages\/274\/revisions\/586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/media\/548"}],"wp:attachment":[{"href":"https:\/\/aidarezaei.net\/fr\/wp-json\/wp\/v2\/media?parent=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}